Stompbox Sound Clips

Last updated 5/2/04

 

Most of the soundclips below were recorded through a Zoom 9030 effects unit to add a touch of reverb and then through a Bulldog Speaker Cabinet Simulator directly into the sound card in my computer. I didn't take any great care with what I actually played, as I am only trying to convey how they sound. A few of the soundclips below have somewhat of a low output, but you should be able to hear all of them well enough if you have speakers that boost the signal coming from the soundcard. A couple of them are pretty loud, so beware. Most were originally recorded in .wav format and then converted to .mp3 format using a program called dBpowerAMP, but there are a few that I recorded a few years ago that I left as .wav files. I tried to find the best compromise between file size and sound quality and I didn't normalize the soundclips when converting them to mp3 format because I wanted to keep as much of the original dynamics as possible. Most of the clips were recorded in one sitting with my green Ibanez S470-FM electric with mahogany body and flame maple top. The pickup positions are generally either the neck or bridge humbuckers, and on some clips I switch between pickups to hear how changing the pickups affects the tone.

The settings shown below are likened to something like telling the time on a clock, or at least where the hour hand would be pointing. As shown below, 7:00 indicates control fully counter-clockwise. 12:00 indicates control straight up and 5:00 indicates control fully clockwise.

 

DIY Circuits

Circuit Name

Settings

Comments
Vol 11:00, Tone 2:00, Boost On
Boost switch mod and tone control added to circuit
Gain 8:00, Level 7:00, Low 5:00, Mid 9:00, High 3:00
Modified Marshall-style tone stack added to base circuit
Drive 11:00, Level 10:00
Drive control added to base circuit (saturation control)
Vol 1:00, Gain 5:00, Tone 5:00, Mid Boost Off
.
Vol 1:00, Fuzz 5:00, Bias 8:00, Contour 11:00
Soundclip recorded with germanium transistors in ckt.
Vol 1:00, Gain 11:00, Tone 1:00
.
Vol 3:00, Gain 2:00, Tone 1:00
.
Depth 12:00, Speed 4:00, Level 11:00
Built per original EA article published in 1968
Vol 5:00
Volume control added to base circuit. Weak battery when recorded.
Vol 9:00, Gain 2:00
AKA Black Cat OD-1
Gain 11:00 , Vol 1:00, Bass 5:00, Treble 3:00
C6 changed to 0.047uF
Gain 2:00
.
Vol 12:00, Gain 5:00, Tone 12:00
Tone control added to base circuit
Level 3:00
.
Vol 5:00, Gain 5:00, Tone 2:00
Circuit as originally designed
Vol 2:00, Gain 3:00, Tone 9:00
With 12AX7 preamp tube
Vol 12:00, Gain 1:00, Tone 5:00
Tone control added to base circuit
Drive 5:00, Level 2:00, Tone 1:00
Clone of the original Ibanez TS 808 Tube Screamer
Drive 1:00, Level 1:00
DOD Yngwie Malmsteen signature overdrive

 

Commercial Guitar Pedals

Circuit Name Settings Comments
Arion SAD-1 Delay 5:00, Depth 10:00, Repeat 12:00 The original Arion analog delay pedal
Ibanez DDL Digital Delay D-Time 9:00, D-Mode Slow, D-Level 5:00, Repeat 12:00 Old school digital delay
BOSS Metal Zone Level 11:00, Low 1:00, High 8:00, Middle 1:00, Mid Freq 3:00, Dist 12:00 Recorded through 1974 Fender Twin Reverb with BOSS DD-5 delay pedal
BOSS Super Chorus CH-1 Level 11:00, EQ 12:00, Rate 1:00, Depth 12:00 .
BOSS DD-5 Digital Delay Level 9:00, Feedback 10:00, D. Time 1:00, Mode set to 11 Delay time approx. 750ms
BOSS Octave OC-2 Oct 2 5:00, Direct Level 11:00, Oct 1 10:00 Recorded through 1974 Fender Twin Reverb with BOSS DD-5 delay pedal
Vintage Thomas Organ CryBaby Wah . Recorded with Boss Metal Zone and DD-5 Digital delay pedal

 

 

To My Stompbox Page