Stompbox
Sound Clips
Last
updated 5/2/04
Most of the
soundclips below were recorded through a Zoom 9030 effects unit to add a touch
of reverb and then through a Bulldog Speaker Cabinet Simulator directly into the
sound card in my computer. I didn't take any great care with what I actually played, as I am only trying to convey how they sound. A few of the soundclips below have somewhat of a low output, but you should be able to hear all of them well enough if you have speakers that boost the signal coming from the soundcard. A couple of them are pretty loud, so beware. Most were originally recorded in .wav format and then converted to .mp3 format using a program called dBpowerAMP, but there are a few that I recorded a few years ago that I left as .wav files. I tried to find the best compromise between file size and sound quality and I didn't normalize the soundclips when converting them to mp3 format because I wanted to keep as much of the original dynamics as possible. Most of the clips were recorded in one sitting with my green Ibanez S470-FM electric with mahogany body and flame maple top. The pickup positions are generally either the neck or bridge humbuckers, and on some clips I switch between pickups to hear how changing the pickups affects the tone.
The settings shown below are likened to something like telling the time on a clock, or at least where the hour hand would be pointing. As shown below, 7:00 indicates control fully counter-clockwise. 12:00 indicates control
straight up and 5:00 indicates control fully clockwise.
DIY Circuits
Circuit
Name
|
Settings
|
Comments |
|
Vol
11:00, Tone 2:00, Boost On
|
Boost
switch mod and tone control added to circuit |
|
Gain
8:00, Level 7:00, Low 5:00, Mid 9:00, High 3:00
|
Modified
Marshall-style tone stack added to base circuit |
|
Drive
11:00, Level 10:00
|
Drive
control added to base circuit (saturation control) |
|
Vol
1:00, Gain 5:00, Tone 5:00, Mid Boost Off
|
. |
|
Vol
1:00, Fuzz 5:00, Bias 8:00, Contour 11:00
|
Soundclip
recorded with germanium transistors in ckt. |
|
Vol
1:00, Gain 11:00, Tone 1:00
|
. |
|
Vol
3:00, Gain 2:00, Tone 1:00
|
. |
|
Depth
12:00, Speed 4:00, Level 11:00
|
Built
per original EA article published in 1968 |
|
Vol
5:00
|
Volume
control added to base circuit. Weak battery when recorded. |
|
Vol
9:00, Gain 2:00
|
AKA
Black Cat OD-1 |
|
Gain 11:00
, Vol 1:00, Bass 5:00, Treble 3:00
|
C6 changed to 0.047uF |
|
Gain
2:00
|
. |
|
Vol
12:00, Gain 5:00, Tone 12:00
|
Tone
control added to base circuit |
|
Level
3:00
|
. |
|
Vol
5:00, Gain 5:00, Tone 2:00
|
Circuit
as originally designed |
|
Vol
2:00, Gain 3:00, Tone 9:00
|
With
12AX7 preamp tube |
|
Vol
12:00, Gain 1:00, Tone 5:00
|
Tone
control added to base circuit |
|
Drive
5:00, Level 2:00, Tone 1:00
|
Clone
of the original Ibanez TS 808 Tube Screamer |
|
Drive
1:00, Level 1:00
|
DOD
Yngwie Malmsteen signature overdrive |
Commercial Guitar Pedals
Circuit
Name |
Settings |
Comments |
Arion
SAD-1 |
Delay
5:00, Depth 10:00, Repeat 12:00 |
The
original Arion analog delay pedal |
Ibanez
DDL Digital Delay |
D-Time
9:00, D-Mode Slow, D-Level 5:00, Repeat 12:00 |
Old
school digital delay |
BOSS
Metal Zone |
Level
11:00, Low 1:00, High 8:00, Middle 1:00, Mid Freq 3:00, Dist 12:00 |
Recorded
through 1974 Fender Twin Reverb with BOSS DD-5 delay pedal |
BOSS
Super Chorus CH-1 |
Level
11:00, EQ 12:00, Rate 1:00, Depth 12:00 |
. |
BOSS
DD-5 Digital Delay |
Level
9:00, Feedback 10:00, D. Time 1:00, Mode set to 11 |
Delay time approx. 750ms |
BOSS
Octave OC-2 |
Oct 2 5:00, Direct Level
11:00, Oct 1 10:00 |
Recorded
through 1974 Fender Twin Reverb with BOSS DD-5 delay pedal |
Vintage Thomas Organ CryBaby Wah |
. |
Recorded with Boss Metal Zone and DD-5 Digital delay pedal |
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My Stompbox Page
|